/ The following is the author’s own interpretation of the song, to be used /
/ for private use and studying /
/————————————————————————-/
SLAYER – SEX, MURDER, ART
From the Album DIVINE INTERVENTION
Copyright 1995 AMERICAN RECORDS
Version 1.0 – October 1998
Transcription By: Mike Kimball
For Questions, Comments, Newest Version, or Corrections contact
at:
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emailing
. – palm mute / – slide up to
– slide down to ~ – vibrato
h – hammer on b – bend
p – pull off Suffixes for bend
ph – pinch harmonic f – full bend h – half bend
* – see comment r – release t – tap bend
X – percussion mute ~ – vibrato bend
@ – slight palm mute () – ghost note, sustained note
Tuning: Eb(Eb,Ab,Db,Gb,Bb,Eb)
Fig. 1
|—————————————————–
|—————————————————–
|—————————————————–
|———-5——-7—6—5————————–
|–4-6-7-4—7-4-6—6—6—7-6-5——————–
|—————————————————–
Play four times.
Fig. 2
|—————————————————–
|—————————————————–
|—————————————————–
|—————————————————–
|———-1——-3—2—1————————–
|–0-2-3-0—3-0-2—2—2—3-2-1——————–
Play four times; on fourth time hold last note.
Fig. 3
|—————————————————–
|—————————————————–
|—————————————————–
|—————————————————–
|———————————4p3—————–
|–3-33334p3333333336p333334p33333—336p333334p33333-
|__||___||__||__||___||___||__||___||___||___||__|
I & III II
|—————-|——- |——-
|—————-|——- |——-
|—————-|——- |——-
|—————-|5—4– |6—5–
|—————-|3—4– |6—5–
|–33334p3333333-|——- |——-
|__||___||__|
Play sequence three times with corresponding chord
changes; then fourth sequence in full–
fourth sequence
|—————————————————–
|—————————————————–
|—————————————————–
|—————————————————–
|———————————4p3—————–
|–3-33334p3333333336p333334p33333—336p333334p33333-
|__||___||__||__||___||___||__||___||___||___||__|
|——————–
|——————–
|——————–
|——6—5—5—4-
|——6—5—3—4-
|–3333————–
End Fig. 3
Fig. 4
|—————————————————–
|—————————————————–
|—————————————————–
|—————————————————–
|—————————————————–
|–1-1111114p11111113p11111112p1111111—————-
|__||__||___||__||___||__||___||__|
Play twice; then twice more, a half-step up.
Note: Some of the pull-off notes sound like double-stops; use
your own judgment.
Fig. 5
|—————————————————
|—————————————————
|—————————————————
|—————————————————
|—————————————————
|–3-33333333334p36p34-44444444445p47p45-5555555555-
|__||__||__||____||__||__||__||____||__||__||__|
|————————–
|————————–
|————————–
|————————–
|————————–
|–6p58p56-6666666—5—4-
|____||__||__|
Play twice, but last time stops on the 6th fret for a power
chord; then–
|———————–
|———————–
|———————–
|——5—————-
|——5—————-
|–665-3—————-
End Fig. 5
Second verse is the same as first; Fig. 3.
Second chorus is almost the same as first; Fig.4. (End is a little
different; use your ears).
Fig. 6
|—————————————————–
|—————————————————–
|—————————————————–
|——2—5-4—7-6—9——-2—5-4—8-7—10—–
|——2—5-4—7-6—9——-2—5-4—8-7—10—–
|–0-1-0-0-3-2-0-5-4-0-7—0-1-0-0-3-2-0-6-5-0-8——
This riff lasts through the rest of the song. It has one
variation, which uses more of the open E string, but the same chords.
Note: I play all the chords of Fig.6 with the root on the E
string because of the sliding of the last chord in the sequence (B in
first; C in second), especially the last chord of the song.
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