Sevendust
Headtrip
Tabbed by Jared
TUNING: Drop D, with all string flatted a half step
Db|——–|
Ab|——–|
Db|——–|
Gb|——–|
Bb|——–|
Eb|——–|
INTRO:
Guitar 1 (Lead)
Clean
1a)
|—————-|
|—————-|
|———3——|
|———–0—-| x9
|—————-|
|—-0-2———|
Guitar 2 (come in after second repition of first riff, 00:04 seconds)
Distorted
1b)
|—–|
|—–|
|–9–|
|–x–| REPEAT–fast strumming
|–7–|
|—–|
Both
2)
|———————|
|———————|
|–9-9-9-9-9-9-9–7–|
|–9-9-9-9-9-9-9–7–| X4
|–7-7-7-7-7-7-7–5–|
|———————|
Guitar 1
With this riff it sounds like Clint is actually using a whammy bar instead of
sliding because it sounds too fluid for these notes to be played with a
slide. However, it still sounds fine without, for I would only recommend the
whammy if you are good with it (which I am definately not) but either way you
play it make sure that you play the full bar because that fourth string is
important for the sound
Heavy Distortion
3)
|——————————————-|
|–10——————–10—————–|
|–9———————9——————|
|——-9–9/109-8———-9–9/109-12-| X3
|——-7–9/109-8———-7–9/109-12-|
|———-9/109-8————-9/109-12-|
VERSE:
Guitar 2
|—–|
|—–|
|–9–|
|–x–| REPEAT–fast strumming, stuccato at certain times, listen to the
song to get
|–7–| varied strumming patterns right.
|—–|
CHORUS:
Guitar 1
|——————————————-|
|–10——————–10—————–|
|–9———————9——————|
|——-9–9/109-8———-9–9/109-12-| X2
|——-7–9/109-8———-7–9/109-12-|
|———-9/109-8————-9/109-12-|
PROGRESSION:
Intro (parts 1, 2 then three)
Verse
Chorus
Verse
Chorus
Outro (played the same way as the verse
Headtrip
Tabbed by Jared
TUNING: Drop D, with all string flatted a half step
Db|——–|
Ab|——–|
Db|——–|
Gb|——–|
Bb|——–|
Eb|——–|
INTRO:
Guitar 1 (Lead)
Clean
1a)
|—————-|
|—————-|
|———3——|
|———–0—-| x9
|—————-|
|—-0-2———|
Guitar 2 (come in after second repition of first riff, 00:04 seconds)
Distorted
1b)
|—–|
|—–|
|–9–|
|–x–| REPEAT–fast strumming
|–7–|
|—–|
Both
2)
|———————|
|———————|
|–9-9-9-9-9-9-9–7–|
|–9-9-9-9-9-9-9–7–| X4
|–7-7-7-7-7-7-7–5–|
|———————|
Guitar 1
With this riff it sounds like Clint is actually using a whammy bar instead of
sliding because it sounds too fluid for these notes to be played with a
slide. However, it still sounds fine without, for I would only recommend the
whammy if you are good with it (which I am definately not) but either way you
play it make sure that you play the full bar because that fourth string is
important for the sound
Heavy Distortion
3)
|——————————————-|
|–10——————–10—————–|
|–9———————9——————|
|——-9–9/109-8———-9–9/109-12-| X3
|——-7–9/109-8———-7–9/109-12-|
|———-9/109-8————-9/109-12-|
VERSE:
Guitar 2
|—–|
|—–|
|–9–|
|–x–| REPEAT–fast strumming, stuccato at certain times, listen to the
song to get
|–7–| varied strumming patterns right.
|—–|
CHORUS:
Guitar 1
|——————————————-|
|–10——————–10—————–|
|–9———————9——————|
|——-9–9/109-8———-9–9/109-12-| X2
|——-7–9/109-8———-7–9/109-12-|
|———-9/109-8————-9/109-12-|
PROGRESSION:
Intro (parts 1, 2 then three)
Verse
Chorus
Verse
Chorus
Outro (played the same way as the verse