#This file is the author’s own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#——————————————————————————##
To: [email protected]
Subject: TAB: Dreams Never End by New Order
Article 8253 of alt.guitar.tab:
Path: husc.harvard.edu!husc-news.harvard.edu!hsdndev!wupost!howland.reston.ans.net!usenet.ins.cwru.edu!cleveland.Freenet.Edu!cy888
Newsgroups: alt.guitar.tab
Subject: TAB: New Order; Dreams Never End; A submission for the whiners
Message-ID:
From: [email protected] (Paul Thompson)
Date: 26 Feb 1994 00:35:56 GMT
Organization: Case Western Reserve University, Cleveland, Ohio (USA)
NNTP-Posting-Host: kanga.ins.cwru.edu
Lines: 93
Here is my submission to the great communal TAB exchange, so that I am not
forever damned as one with the audacity to attempt to learn guitar without
submitting a TAB. Perhaps this will satisfy the whiners who forget what it is
like to be just starting out. This is my first effort at a TAB, so bear with
me if you will.
New Order: Dreams Never End
The intro for the guitar without distortion (Gillian’s?) goes:
e——————————————————————————|
b——————————————————————————|
g——0—0—0——–0—0—0——–4——–4——–4—4—4———–|
d–3-3—3—3—3–2-2—2—2—2–0-0—0–0-0—0–0-0—0—0—0———|
a——————————————————————————|
e——————————————————————————|
Guitar with distortion (Barney’s? — get your own timings):
e—————————————————————————–|
b—————————————————————————–|
g—————————————————————————–|
d———————————-5–3–0–2-2/5-53–5–0–0—————-|
a—-5–3–0–2-2/5-53–5–0–0———————————————-|
e—————————————————————————–|
Then there’s a couple of seconds of chords, perhaps A and B; listen to the
song for the exact instance of this…
If anyone knows what these chords are or cares [sorry 🙂 ] they can verify this.
Gillian’s Guitar rest of song:
e—————————————————————————–|
b—————————————————————————–|
g—-4—4-4—4—-4—4-4—4—4—4-4—4—4—4-4—4—4—4-4—4—–|
d–0—0—–0—-0—0—–0—0—0—–0—0—0—–0—0—0—–0——-|
a—————————————————————————–|
c—————————————————————————–|
Barney’s Guitar during solos:
e—————————————————————————–|
b—————————————————————————–|
g—————-2-2-2-2-4—4—4——————2-2-2-2-4—4—4———|
d–5-3-2-0-2—3-0-0-0-0-2—2—2—5-3-2-0-2—-3-0-0-0-0-2—2—2———|
a—————————————————————————–|
e—————————————————————————–|
Barney’s guitar during last stanza:
e————————————————|
b————————————————|
g-2–2–2-2-4–4—4—4–2–2–2-2-4–4—4—4-| etc.
d-0–0–0-0-2–2—2—2–0–0–0-0-2–2—2—2-|
a————————————————|
e————————————————|
The bass portion of this song sounds very simple, no doubt because Peter sings.
>From FTP.NEVADA.EDU:
>Transcribed (with luck, correctly) by Stephen Foskett
>@SONG: Dreams Never End
>My promise could be your fiend
>A given end to your dreams
>A simple movement or rhyme
>Could be the smallest of signs
>We’ll never know what they are or care
>In it’s escapable view
>There’s no escape so few in fear
>Give in a changing value
>To be given your sight
>Hid in a long peaceful night
>A nervous bride for your eyes
>A fractured smile that soon dies
>A love that’s wrong from your life and soul
>A savage mind had begun
>Hello, farewell to your love and soul
>Hello, farewell to your soul
>
>Now I know what those hands would do
>No looking back now, we’re pushing through
>We’ll change these feelings, we’ll taste and see
>But never guess how the him would scream
>But never guess how the him would scream
>But never guess how the him would scream
—
Paul Thompson | [email protected]
| [email protected]
| Lord, protect me from those to whom you speak directly
