NB: Every note written in brackets is muted with the right/strumming hand, while the
frets are held with the left hand. If you don’t understand what I mean, listen to the
song and notice how some notes sound clearer than others.
e ——————————————————————
B ———————————————-5~——————
G —————————-6——-7—————————–
D –(7)-(7)-7-(7)-5-(5)-7-(7)—(7)-5—(7)-5———————–
A —0—0—–0—–0—–0—————————————-
E ——————————————————————
e ——————————————————————
B ————————————Repeat 3———————-
G —————————-6-4——times————————
D –(7)-7-(7)-5-(5)-7–4h5/7——7—–then:——-7-5————-
A —0—–0—–0————————————–7-7———
E ——————————————————————
The chords used are really simple, but they are explained at the bottom anyway.
A
Jogia way sun meri baat
A D A G Dadd9/F# A
Mera jevan tu ranjhray ka ghulam jogia
A
Chain paaon kya kisi raat
A D A G Dadd9/F# A
Meri neendien hain rang par main haram jogia
A G
Koi bichra kis tarha
A Dadd9/F#
Kyon lia hai jog
A G
Koi bichra kis tarha
D G
Kyon lia hai jog
D C G A
Kis liay jaan ko lagaya rog
Break in middle:
(pluck these chords for the right effect):-
A C G C
D D D C9 G A (let ring)
Jogia way kya tera naam
Mera jeevan tu ranjhray ka ghulam jogia
Tu hi mera pyar hai kaise jane log
Kya kabhi mumkin nahin sanjog
E A D G B e
A – x 0 2 2 x x
D – x x 0 2 3 x
G – x 2 0 0 3 x
Dadd9/F# – x x 4 2 3 2
C – x x 5 5 5 x
Tabbed by: The Unaffectionate Nomster (TUN)
Any criticisms, corrections, and/or suggestions are welcome.
Please e-mail me at: [email protected].
