e—-9-7-9——–6-4-6——–4-2-4———-0————————–
B—7-7-7-7——4-4-4-4——2-2-2-2——–0-0————————-
G——————————————-1—1————————
D——————————————2—–2———————–
A–9————6————4————2——-2———————-
E————————————————————————
Below is 8 beats (2 measures)
F# pattern 2
e————————————————————————
B—-2—2—2—0—-2—2—2——————————————
G—–3—3—3—1—-3—3—3—————————————–
D——4—4—4—2—-4—4—4—————————————-
A————————————————————————
E—2—2—2—0—-2—2—2—2—————————————
Putting it together:
F# F# F# F# D#m D#m D#m D#m
She’s a lady, she’s got time Oh
She’s a lady, she is mine Oh
C# C# E E F#
Brush back your hair, and let me get to know your face
Brush back your hair, and let me get to know your flesh.
Organ: F# B C# F# B C# F# C# D#m A#m D#m A#m
I’ve been waiting here for so long
You stand there with your fixed expression
casting doubt on all I have to say
C# G#m B F# E F# E F# E F# E F# E
and all this time has passed me by It hardly seems to
why don’t you touch me, touch me why don’t you touch me,
touch me
B E F# E B E F#
matter now
touch me now now now now now
F# E F# E B E B E F# E B E F# }repeat this a few times
now now now now now
Outro: B C# F# B C# F# B C# F#
The rapidly alternating part flips between an F# and a C#
and finally ends on F#
