#———————————-PLEASE NOTE———————————#
#This file is the author’s own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#——————————————————————————##
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Article: 5091 of rec.music.makers.guitar.tablature
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From: [email protected] (Alessandro Borille (287786/IE))
Subject: TAB: Calling Elvis (Dire Straits)
Message-ID:
Sender: [email protected]
Organization: Universita’ di Padova, Italia
Date: Mon, 28 Jun 1993 06:08:03 GMT
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#This file is the author’s own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#——————————————————————————##
From nermal.cs.uoguelph.ca!torn!howland.reston.ans.net!noc.near.net!uunet!caen!batcomputer!ghost.dsi.unimi.it!dei.unipd.it!gina.dei.unipd.it!paride Mon Jun 28 10:10:54 EDT 1993
Article: 5091 of rec.music.makers.guitar.tablature
Newsgroups: rec.music.makers.guitar.tablature
Path: nermal.cs.uoguelph.ca!torn!howland.reston.ans.net!noc.near.net!uunet!caen!batcomputer!ghost.dsi.unimi.it!dei.unipd.it!gina.dei.unipd.it!paride
From: [email protected] (Alessandro Borille (287786/IE))
Subject: TAB: Calling Elvis (Dire Straits)
Message-ID:
Sender: [email protected]
Organization: Universita’ di Padova, Italia
Date: Mon, 28 Jun 1993 06:08:03 GMT
Lines: 24
This is the scale that Mark plays at the beginning of the solo.
I suggest you to hold the first three chords with your first finger,
like a little barre`, at the 7th fret. This makes the scale easier
to play.
–10>7——7———————————————————-
——-10>7—10>7—7——7——————————————
——————-9—9>10—10>9>7—9>7—7—————–7——-
————————————-9—–9—9>7—7——-7———
—————————————————9—7>8>9—–9vvv–
———————————————————————–
Symbols:
pulloff / hammeron: —10>7–9>10-
vibrato: —9vvv–
Enjoy it.
Alessandro
([email protected])
https://youtube.com/watch?v=bODwgw9Lw0Q